Journal

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Estimate: Where an Auction’s Price Range Comes From

An estimate is not a price. It is the auction house’s bet on how much you are prepared to pay.…

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The Art Object: What It Is and How It Differs from a Painting

A painting depicts. An art object is present. The first is a window you look through; the second is a…

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How to Verify a Painting: Three Questions Before You Buy

A forgery is not given away by the brush. The brushwork of a good forgery is impeccable — otherwise it…

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Sacred Geometry in a Painting: Why Form Holds to an Axis

A random composition sometimes lands. A composition built on geometry lands every time — and the landing can be repeated.…

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Giclée: The Print That Knows Its Own Name

A reproduction pretends to be a painting. A giclée does not pretend to be one. These are different things, and…

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The Shield: A Defence Larger Than the Sword

For any force there is a greater force. Why the spiritual world needs no borders, what a shield is truly…

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The «I»: You Become What You Think of Yourself

The Universe is the "I" of everyone who thinks about it. How thought sets the frequency of events, why calm…

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The Pinecone: The Third Eye and the Tuning of Frequencies

Everything is the pinecone: you transmit and receive at the same time. How to listen to the body's impulse before…

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Abstraction: The State Before Thought

Everything begins with abstraction: the state of energies before the process of thinking. Where a person looks is what they…

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Dialect: The Language Space Speaks

Dialect is what we give birth to through the word. Events have one; so do the sea and a black…

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Food: You Are Filled With What You Eat

You are filled with what you eat — food, information, the people around you. Why “bad habits” do not exist,…

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The Brain: An Instrument of the Soul

The brain is an instrument, not the master: it sees two or three steps ahead and thinks in “corridors”. What…

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Space Is a Wandering: You See the Road You Chose

In Russian, the word for space carries “wandering” inside it: what you see is determined by the road you chose.…

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The Mouth: An Instrument of Creation

The mouth regulates flows of energy: receiving and transmitting. Why not everyone is given speech, how an orator moves a…

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Background: The Canvas Beneath Your Event

Everything has a background: an event, a mood, a person. The background is a canvas — a thin one will…

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Feelings: The Technology of Creation

What you feel is what you shape. A feeling is the technology for creating what you want: why no feeling…

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Echo: The Consequences of Your Thoughts

An echo is the consequence of a vibration: thoughts return later, at different frequencies. How many thoughts are you thinking…

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The Spinning Top: Keep Spinning

A spinning top stands straight only while it spins. Doubt is a tilt of the axis. How to spin yourself…

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A Lie: One Line Is Enough

The shortest chapter of the Spiritual Alphabet — one line: a lie is truth when the only truth left is…

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Why Buy an Original When a Poster Looks the Same?

A poster carries the image; an original carries the event — the relief of the stroke, the trace of the…

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Attention: The Currency You Pay for Your Life

Attention is not a mirror but a chisel with which you carve your life out of the block of the…

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The Mirror: Why the World Reflects You

The outer world works as a mirror: it does not show the world, it shows you in it. What irritates…

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Malevich’s Black Square: What It Actually Means

Not a daub and not a joke, but a deliberate zeroing-out of the depicted. Why Malevich hung emptiness in the…

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What Is Surrealism: Reality Without a Guard at the Door

Surrealism is not painting dreams — it is the admission that the dream is more honest than the day. Breton,…

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How to Look at a Painting and Actually See It

Understanding a painting is not decoding it. Slow down, give it silence, catch the first sensation before words, and come…

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Caravaggio and Light: How Darkness Makes Light Visible

Caravaggio sank painting into darkness and pulled out the essential with a single beam. Tenebroso, chiaroscuro, saints with dirty feet…

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Hilma af Klint: Painting the Invisible Before It Had a Name

Hilma af Klint painted abstraction years before Kandinsky — the canvas as an instrument for the invisible. On geometry that…

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Mark Rothko: How Two Rectangles of Colour Make People Cry

Mark Rothko and colour as a state you enter. Why colour is a frequency the body feels — and how…

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Barnett Newman: One Vertical That Holds the Whole Canvas

Barnett Newman and the zip: minimum form, maximum presence. Artist Evgeny Fleysher on why “I am” is a beginning, not…

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Turner: Painting Light, Not Things, a Century Before Abstraction

William Turner began painting light instead of things a century before abstraction. Evgeny Fleysher on light that dissolves and light…

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Caspar David Friedrich: His Back to Us, Facing the Infinite

Caspar David Friedrich and the figure before the infinite. Evgeny Fleysher on why the infinite is not outside but within…

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Inspiration Begins with a Breath

Inspiration is not a muse and not luck — it is a state of mind for realising your spiritual state.…

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Harmony Is Correspondence, Not Balance

Harmony is not perfectionism and not balance, but a system of correspondence: everything already corresponds to everything. Disharmony begins where…

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Desire: How to Tell Your Own from Someone Else’s

Desire is a consequence of what you surround yourself with. Why intermediate goals get mistaken for happiness, how to test…

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Joy Is a Gauge, Not a Reward

Joy is not a prize at the end of the route but a gauge showing that you dwell in happiness.…

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The Secret Is a Feeling, Not a Thing

A secret is not a hidden thing but the feeling that leads you to realisation. How to create your own…

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The Code: The Pattern You Answer For

A code is the pattern of everything — matter, thinking, events. You can only govern your own. How to make…

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Deceit: Presenting One Thing as Another

Deceit is presenting one thing as another: the same phrase can be truth and deceit at once. Why truth is…

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Chronology: A Word Spoken in Time

Time is relative to events: no events, no time. Why time races or crawls, what time management misses, and how…

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The Centre Is Where Your Attention Was

The centre needn't be in the middle: it is wherever your attention was a second ago. Why goals dissolve when…

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Why the Icon Is Flat and the Renaissance Has Depth

The icon's flatness is a choice, not a failing: gold cancels space, light comes from within, the lines converge in…

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How to Read Contemporary Art: Three Questions Instead of One

Irritation in front of abstraction is a wrongly asked question. Not "what is painted" but "why was it made and…

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Metaphysical Painting: Art About the Invisible

Giorgio de Chirico called his painting metaphysical — what stands beyond things. This art paints not objects but state, silence,…

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How an Art Auction Works and Who Sets the Price

An auction does not find a price in the canvas — it measures the room's attention. Estimate, increments, hammer price,…

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How to Choose a Painting for Your Home

A painting is not wall decoration but a tuning of the space to a state. How to choose one by…

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The Mandala and the Circle: One Symbol, Every Culture

Why every culture draws the circle without ever meeting: Tibetan sand mandalas, the rose of Chartres, Celtic crosses and Jung's…

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Why Expensive Paintings Are Often “Ugly”

Beauty, value and price are three different quantities: the eye seeks the pleasant, while the market pays for the rupture…

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Provenance: How a Painting’s Past Creates Its Price

Provenance is a painting’s biography — a chain of owners the market trusts more than its own eyes. How the…

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Pain as Navigation: Why It Is an Engine, Not a Punishment

Pain is not a punishment but navigation: a marker of deviation, where the strength of the signal shows how fast…

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Colour as Frequency: Why Blue Calms

Physically, colour is the frequency of a light wave; the sensation of colour is born in the brain. Why the…

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AI and Art: What the Machine Cannot Do

A neural network combines what already exists — fast and brilliantly. But creation is born not from combination but from…

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The Art of Japan: Emptiness as a Method

Why does the Japanese master leave the sheet unfilled? Ma, wabi-sabi, the Ryoan-ji garden and Hokusai’s wave: how emptiness becomes…

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How an Artist Becomes Great: The Machine Behind the Myth

"Genius breaks through on its own" is art's most durable legend. I take the machine of greatness apart — Vasari…

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Why Russian Painting Reads Like a Novel

A French canvas asks what the light looks like. A Russian one asks why this happened to a human being.…

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The Ego: A Security Guard Who Cannot Create

The ego is neither enemy nor master but a security guard: an ancient protection mechanism that can only guard. How…

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One Truth, Many Truths: What Happens and What Is Thought

Truth is only what is actually happening; everything else is its absence, as darkness is the absence of light. Why…

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Love Is a State, Not an Arrow: Where Creation Begins

Love is not an arrow aimed at another person but a state you are in — the only state from…

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Silence: The Language the Source Speaks

Silence is not the absence of sound but the ground from which sound is possible at all. Why the soul…

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What Is Art For, If It Produces Nothing?

A reader asks: what is art for, if you can't eat it or ride it? The answer: art produces not…

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How the Camera Changed Painting Forever

The daguerreotype of 1839 took from painting the duty of copying the world — and freed it. From Monet's light…

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Geometry Beneath the Canvas: Why Form Is Frequency

Beneath every work lies a construction of circles, axes and proportions. Geometry is read before thought: form sets a frequency,…

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Original and Reproduction: The Physics of Presence

A reproduction transmits an image; an original transmits presence. The difference is not snobbery but physics: the relief of the…

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Why We Paint: A History of the Gaze Turning Inward

The whole history of painting is not a sequence of styles but a chronicle of consciousness: from the beast on…

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The Golden Ratio: Why We Find It Beautiful

Why the eye recognises φ before the mind can think: the nautilus spiral, Fibonacci numbers, and an honest look at…

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What Abstract Art Is — and Why the Object Had to Go

Abstraction removes the object on purpose: the artist stops painting the world and paints his state directly. Kandinsky, Malevich, Mondrian,…

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Why Some Paintings Sell for Millions — and Others for Nothing

Provenance, rarity, the name, institutions, the author's death — the market grows a layer of agreement around a canvas and…

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Frankl and the question «why»: meaning is not found but created

Viktor Frankl and the question 'why': meaning is not only found but created. Evgeny Fleysher on meaning built from love,…

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David Bohm and the portal: physics of the soul without the quantum charlatans

Physicist David Bohm and a 'physics of the soul' without the quantum charlatans — the implicate order, the portal, and…

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Krishnamurti: truth is a pathless land — yet I still draw a map

Krishnamurti's 'truth is a pathless land' and the painting of Evgeny Fleysher: why a canvas is a window, not a…

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Kandinsky and colour as frequency: where paint ends and vibration begins

Kandinsky said colour is a vibration, not decoration. Evgeny Fleysher on colour as frequency and why he gives colour back…

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Jung, the mandala and the archetype: why I paint maps of the soul, not pictures

Jung gave the soul a form — the archetype and the mandala. Why artist Evgeny Fleysher paints maps of the…